Shakuntala Devi

Yet again, Vidya Balan strikes a sixer! We really need to see more of this woman. She gets under the skin of her characters so deeply that you forget she is just acting out someone else’s life. From her South Indian accent while speaking Hindi to the unwavering confidence of a self-made woman, the resounding laughter of a happy-go-lucky person and the guts to call a spade a spade I loved every bit of Shakuntala Devi…or was it Vidya Balan…or maybe both?!

Her genius aside, she was a woman to admire in a million ways! Throughout the story she is shown as someone who does not see a difference between man and woman, who repeatedly calls out society’s skewed gender expectations and who keeps screaming at the top of her lungs that self-actualization is just as important as slipping into a role assigned to you by someone else.

The movie tells a full circle story of her relationship with her parents, especially the grudge Shakuntala Devi holds against her mother for not speaking up to save her sister, how she herself becomes a woman with opinions and a voice that is literally heard the world over finally culminating in her relationship with her daughter who doesn’t think much of her mother until she becomes one herself. Very well fitted in between are two extremely well-told episodes of her relationship with a Spanish man who admired her but was intimidated by her success and her eventual marriage and separation from a Bengali man, who was a perfect gentleman.

What I loved most about this movie is that no one was shown as a bad character or – even worse – a villain. Shakuntala Devi’s husband, Paritosh Banerji, was an incredibly great husband and father and likewise she was a wonderful wife and mother but sometimes two perfectly fine people are also not able to lead a perfect life together. Their ambitions were different and they simply could not fit into the others’ life the way they had imagined.

Similarly, the two mother-daughter relationships between Shakuntala’s mother and her and then her daughter and her are beautifully told. Each is right in their own way, yet everything is wrong. It takes a skilled storyteller and director to portray relationships like this.  What a piece of art!

You might have noticed that I did not talk much about why Shakuntala Devi became a global sensation in the first place – her extraordinary math genius. It is present throughout the movie and shown with due respect but what’s really admirable about Shankuntala Devi is her grit and attitude regardless of what the matter is at hand. The way she approaches her relationships, her work, her decisions – this world really really needs more Shakuntala Devis.

This woman was truly ahead of her times! Even in today’s world people would be out to eat her alive but I am confident she would live her life on her own terms. (9/10)

Stree

The day I run out of synonyms for the word “brilliance” I’ll just start using “Rajkumar Rao”. This man is sheer amazingness when it comes to acting! He is the only reason I went to watch this movie and he remained the only reason I sat through it. Ok, to be fair, Aparshakti Khurana’s and Abhishek Banerjee’s acting wasn’t bad either.

I am all for respecting women, treating them fairly, giving them all the opportunities they deserve etc. but my pendulum doesn’t swing to the far extreme of feminism where I feel like tooting the women empowerment horn at every crossing. So the rather convoluted feminist agenda of this movie didn’t rock my boat so much, nor am I a fan of ghost movies and horror but the pure genius of Rajkumar Rao’s acting skills makes this a somewhat enjoyable watch.

The attempt to combine a social message with horror and comedy at the same time is certainly novel and applaud-worthy but the movie just stretches a bit too far into the weird to be perfect for any genre – and maybe that’s intended.

If only they had picked another actress instead of the stone-faced Shraddha Kapoor it could have tipped the scale for me. (5/10)

Stree

Tumhari Sulu

#MainKarSaktiHai

Every housewife is more – some of them far more – than just a housewife. While women in the workforce get to play out their personalities with a legit tag of a working woman, the ones working in their homes are often ‘discounted’ as bhenjis. Here comes Vidya Balan to show you that personality trumps title and ambition trumps education!

Never have I seen a non-body-conforming Bollywood actress carry herself with so much confidence on the silver screen. A housewife, married to a sales manager and with a 11 year old boy facing peer pressure she is living a middle class life. Her twin sisters rub in their success every so often on their visits and tell her what’s right and wrong for her but she doesn’t let herself be belittled and goes on to become a RJ for a borderline raunchy late night radio show. With her unique people skills she shows the owners of the radio show that a saree-clad bhenji has more to offer than meets the eye. She takes the vulgar out of the show and is fully enjoying her work when the typical Indian husband surfaces in her otherwise loving husband. The loss of authority in his job and the happiness of his wife in her job don’t sit well with him so she leaves her job for 5 minutes to join it back in a jiffy as soon as she finds him a tiffinwaala job with the radio channel. Yeah, the last 5 minutes of the movie were just as confusing as my previous sentence. Not sure what happened there and why all of a sudden she decides to rejoin when she just handed in her resignation – but maybe someone else can explain that to me.

Fabulous acting by Vidya Balan and Manav Kaur. Totally not important to this review but I have a thing for men with strong jawlines. 😉 (6/10)

TS

Anaarkali of Aarah

Some believe that every legal means of earning your living is respectful. Some judge the worthiness of a person by their profession. Too often we jump to conclusions about someone based on their work when, really, all that should matter is their character, personality and their core values.

If a girl is born to a village dancer what are the realistic chances she will become anything else but a village dancer herself? Very few make the rags to riches stories. Reality looks a lot more different. This is the story of Anaar, a girl who sees her mother being shot at an early age and fends for her life as a village singer for male entertainment.

One particular man of power misbehaves with her thinking that women like these will go to any length and won’t mind it, but Anaar – despite facing severe repercussions – plots to set this man straight.

It was interesting that Avinash Das introduced characters that not only ogled at Anaar but also some that actually revered her and treated her with utmost care and respect.

Swara Bhaskar’s and Sanjay Misra’s acting is mind-blowing as expected. Small town story with a big message and simple execution. (8/10)

AofA