One ticket – Two stories
This mystery thriller is a remake of the 1969 movie starring Rajesh Khanna and Nanda. I haven’t seen the original but this is an entertaining watch with a good storyline that has reveals lined up as the movie progresses. Most of it takes place inside the apartment of Maya, a bored housewife indulging in an affair that adds interesting twists to the plot.
Akshaye Khanna’s acting chops are to watch out for. He’s found his genre and I hope to see him doing more of what he does so well.
Abhay Chopra tried to please too many audiences at once and introduced humor that simply has no place in a thriller. Do one thing and do it well, sir!
Good one time watch but no sit-at-the-edge-of-your-seat experience. (7/10)
I wish I had re-watched Kahaani before seeing its sequel to better understand what has shaped Durga Rani Singh into the person she is in this movie. All throughout this thriller I was left a bit irritated at the choices she is making without clearly understanding where she’s coming from. Inder, her ex-husband, also makes conflicting choices that need to be unraveled in the end in a rather anti-climatic manner.
Recently, there have been a multitude of movies on the topic of child molestation (Mom, Maatr, etc.) with this one being a less ‘obvious’ one, yet one that should not be shoved under the carpet.
Both Vidya Balan and Arjun Rampal acted like veterans do. It’s still hard to understand why Arjun Rampal didn’t get more opportunity in Bollywood. He acts and looks far better than many a superstar of the masses. (6/10)
Sridevi had her second come back with a bang. An actress of her caliber deserves strong stories like English Vinglish and now Mom. She is looking as ravishing as a 53 old can possibly look and the way she gets under the skin of her character really carries the movie on her two dainty shoulders.
A well made thriller except I am not sure it was necessary to bring in a stepmother – stepdaughter twist into it. It served more as a distraction to me rather than an enhancement to the story. Also, there was no need to alter Nawazuddin Siddiqui’s appearance so much since it wasn’t required for his character to come across any more authentic.
When you a make a movie that’s otherwise pretty flawless small things, such as unnecessary humor between Sridevi and Nawazuddin Siddiqui, is not required. All it did was interfere with the severity of the matter at hand.
All-round stellar acting by everyone and a story that is not at all unimaginable in today’s India. (9/10)
Low budget. High thrill.
A story can barely get any simpler than this yet here is a one hour 45 minute movie keeping you glued to your seat. Love story turns into urgent housing situation turns into desperate apartment search turns into unfortunate lock in turns into a mind-boggling thriller.
There is barely any dialogue in the movie and yet you feel so attached to the protagonist’s fate. After all, you could have been Shaurya.
What would you do if you were trapped in an apartment on the 35th floor of a completely empty building without electricity and water? (8/10)
Just like the second kid can rarely be as good as the first one (hoping my sister is not reading this!) the sequel to a movie often doesn’t measure up to the expectations set by the original.
The Director tried to use Baby’s recipe, including many of the key cast members but wasn’t able to replicate the taut storyline and magic of Baby. Danny’s scenes got cut down from four to two, Manoj Bajpai has been added as another layer of administrativia, and Akshay Kumar has only been hired to hold Taapsee’s arm and drag her through buildings as if she can’t walk on her own. Also, who in the world hires someone as handsome as Prithviraj Sukumaran as the bad man?
Awkward dialogues, lack of a good story and absolutely no explanation as to why they needed to cast a woman in the role of the secret agent when Akshay Kumar could have done all she does makes this a meh watch. Everyone these days is just trying to ride on the feminism gravy train which failed in this case. (5/10)
Hardly a well kept secret but a good reminder that I should read the novel before I watch the movie. What was a bestselling novel by Paula Hawkins turned into a mediocre thriller on celluloid. It’s rare that someone can turn an intricate thriller into an equally well-made movie – as was the case with Gone Girl.
Emily Bunt’s acting is spot on but her deranged look and coldness never lets the viewer sympathize with her condition. For the first half of the movie she establishes herself as an annoying psychopath and when the plot turns things end so quickly that you never have the chance to celebrate her existence in any way.
Certainly watchable but not worth preparing for shivers and screams. (4/10)
Same story. I lost the draft that I wrote on the plane but in this case it was actually regretful. I watched this movie with very little expectations knowing that Hrithik Roshan mostly acts like a five year old in the body of a very – umm, handsome – adult. But buckle your seats because Hritik Roshan takes you on a surprising ride with his outstanding acting in Kaabil. Even more so because acting to be blind is likely more difficult when you can actually see.
Sanjay Gupta crafted very likable characters for Hrithik and Yami. They were underdogs to begin with but there was an ease in their personalities that instantly drew me to them. As the story unfolds they meet with an evil fate and their world turns upside down. It becomes a story of revenge in absence of justice by law.
Some of the dialogues stuck with me as they were unexpected and quite thoughtful, delivered flawlessly by our hotter-than-legally-allowed protagonist and a very skilled Ronit Roy, who is one of the finest underrated actors Bollywood has.
Yami, too, fit her role of a delicate girl full of grace and positivity well. She looked particularly gorgeous as a simple bride.
Glad to see Indian cinema bringing awareness to differently abled people even if in ways that are uniquely Bollywood. (8/10)