Every housewife is more – some of them far more – than just a housewife. While women in the workforce get to play out their personalities with a legit tag of a working woman, the ones working in their homes are often ‘discounted’ as bhenjis. Here comes Vidya Balan to show you that personality trumps title and ambition trumps education!
Never have I seen a non-body-conforming Bollywood actress carry herself with so much confidence on the silver screen. A housewife, married to a sales manager and with a 11 year old boy facing peer pressure she is living a middle class life. Her twin sisters rub in their success every so often on their visits and tell her what’s right and wrong for her but she doesn’t let herself be belittled and goes on to become a RJ for a borderline raunchy late night radio show. With her unique people skills she shows the owners of the radio show that a saree-clad bhenji has more to offer than meets the eye. She takes the vulgar out of the show and is fully enjoying her work when the typical Indian husband surfaces in her otherwise loving husband. The loss of authority in his job and the happiness of his wife in her job don’t sit well with him so she leaves her job for 5 minutes to join it back in a jiffy as soon as she finds him a tiffinwaala job with the radio channel. Yeah, the last 5 minutes of the movie were just as confusing as my previous sentence. Not sure what happened there and why all of a sudden she decides to rejoin when she just handed in her resignation – but maybe someone else can explain that to me.
Fabulous acting by Vidya Balan and Manav Kaur. Totally not important to this review but I have a thing for men with strong jawlines. 😉 (6/10)
It’s borderline harmful to have to watch Arjun Kapoor not only once but twice in a movie. Big daddy money at work at its best. I know not to be superficial but hey Bollywood is Bollywood. If you can’t act, at least look good. </politicalincorrectness>
Think of this as the classier, most tasteful version of a Sajid Khan movie. Many loud characters, convoluted story, senselessness…but Anil Kapoor, Ratna Pathak and Pavan Malhotra were the saving grace. Athiya Shetty causes visual dissonance in my head. I just cannot get Sunil Shetty out of my head when I see the lower half of her face. A trick to make it less obvious would be to avoid wearing magenta lipsticks…just sayin’. Nice settings, classy Indian clothing and tolerable songs rounded it up to a 5/10.
Ayushmann Khurrana has this ability of getting scripts that allow him to play the every day man and he does an incredible job portraying the guy next door with a conviction that I keep hoping guys next door can actually be as cute as him. 🙂
In Vicky Donor Ayushmann took on a role of a sperm donor – a courageous move for an actor who is setting out to build his career in Bollywood. In this movie he plays a man with erectile dysfunction – an even more courageous move. Kudos to him for breaking the mold and bringing to light issues that actually exist but nobody wants to talk about.
It’s very easy to turn subjects like these vulgar and tasteless but the director nicely navigated around that without leaving out the humor entirely. Were some of the scenes exaggerated? Yes. Was it weird to see the family react like that? Yes. But nevertheless, it was an entertaining watch and a departure from the typical Bollywood formula. (6/10)
In the face mockery of the Delhi social scene. Shall I call it a circus or a zoo? The show-off-giri in Delhi (and for that matter in many other places in India) is getting out of hand. “My sari is more bling than yours.” “My car is bigger than yours.” “I have more servants than you do.” “I eat at fancier restaurants than you.” “My kids are more accomplished than yours.” “My dog poops silkier than yours.” “I dare not speak Hindi with my kids lest I be considered downmarket.” Phew!
A couple tries to buy, trick, steal their way into the “upper echelons” of Delhi society to be able to send their daughter into a top Delhi school. While the topic clearly deserves attention, the execution lacks finesse. Great talent like Irfaan’s has been overshadowed with juvenile direction and a tad bit too much drama. (4/10)
My recollection of its prequel is weak so it would be unfair of me to compare the two but maybe this is a case where the Director decided to ride on the profit wave of an established success. And he did. Financially, Jolly paid off but the entertainment quotient was just mediocre. While Akshay Kumar did complete justice to his role the story just did not have the same gravitas I am used to from his films after watching a Baby, Airlift and Rustom.
Huma Qureshi had nothing to contribute to the story line. Nevertheless, it was a delight to see someone cast as the lead actress who is not a size zero. Breaking molds in the image obsessed Bollywood she is convincingly showing everyone that talent is not measured at the waist.
Far too rarely seen on the big screen these days, Annu Kapoor is brilliant as ever and Saurabh Shukla plays the role of a somewhat unbelievable, comic judge whose whim decides the course of the case at hand. (6/10)
At least this was a movie one wasn’t expecting much from. So even if it’s mediocre it doesn’t disappoint as much. Diana Penty is simply not suitable for a Kangana Ranaut character. She tries way too hard to be the bubbly chirpy girl everyone loves and to make sure everyone gets it the director has to confirm it one more time by making the engaged Abhay Deol have a crush on her too. Brace yourself for a brigade of screaming brides because it’s apparently the cool thing.
Only Aziz knows what he was trying to do with the temporary rift in relationship between Abhay Deol and Momal Sheikh. It was too non-consequential to the story to even get fully noticed.
Poor Jimmy Shergill’s career never took off but his acting is actually on point with good comic timing. I wish he got more to do than be the funny sidekick in most movies. (4/10)
The super classy opening credits had me sitting in the seat with my spine straight. As the movie unfolded the only thing I found entertaining was Anil Kapoor, his impeccable acting, his posture and the promise that this movie could have been what Welcome was once upon a time. A few dialogues will make you chuckle but there is something that’s keeping this movie from tickling out your full roar laughter. No catchy songs, childish graveyard scenes and a climax that could have only taken birth in someone’s mind while being high on some substance. (4/10)