Just like the second kid can rarely be as good as the first one (hoping my sister is not reading this!) the sequel to a movie often doesn’t measure up to the expectations set by the original.
The Director tried to use Baby’s recipe, including many of the key cast members but wasn’t able to replicate the taut storyline and magic of Baby. Danny’s scenes got cut down from four to two, Manoj Bajpai has been added as another layer of administrativia, and Akshay Kumar has only been hired to hold Taapsee’s arm and drag her through buildings as if she can’t walk on her own. Also, who in the world hires someone as handsome as Prithviraj Sukumaran as the bad man?
Awkward dialogues, lack of a good story and absolutely no explanation as to why they needed to cast a woman in the role of the secret agent when Akshay Kumar could have done all she does makes this a meh watch. Everyone these days is just trying to ride on the feminism gravy train which failed in this case. (5/10)
My recollection of its prequel is weak so it would be unfair of me to compare the two but maybe this is a case where the Director decided to ride on the profit wave of an established success. And he did. Financially, Jolly paid off but the entertainment quotient was just mediocre. While Akshay Kumar did complete justice to his role the story just did not have the same gravitas I am used to from his films after watching a Baby, Airlift and Rustom.
Huma Qureshi had nothing to contribute to the story line. Nevertheless, it was a delight to see someone cast as the lead actress who is not a size zero. Breaking molds in the image obsessed Bollywood she is convincingly showing everyone that talent is not measured at the waist.
Far too rarely seen on the big screen these days, Annu Kapoor is brilliant as ever and Saurabh Shukla plays the role of a somewhat unbelievable, comic judge whose whim decides the course of the case at hand. (6/10)
While Rustom was fighting a case of life and death with utmost grace, integrity and those swoon worthy old school manners the only question that kept jogging through my head was “Why you no make men like these anymore??” I am the girl oddly stuck between the generation of yesteryear’s Rustoms and today’s Yo Yo Honey Singhs. The breed of men I had the misfortune to deal with were neither the respectable former nor the carefree later.
I wish I could step into a time machine and go right back to that era where men respected women, held the door open for them and knew how to give a genuine compliment, not to mention those graceful saris, gorgeous dresses, impeccable hair and an emancipation that meant something completely different.
But I digress.
Rustom is a web of true and false, right and wrong, fact and judgement, so tightly interwoven that it becomes hard to tell one from the other. A brilliant interplay of a relationship drama, a strategy game, betrayal, corruption, the influence of media and even glimpses of the workings of supply and demand.
Delightful casting from the main characters all the way to the supporting cast. Not to miss camerawork, particularly during some initial interrogation scenes. An old school charm that makes me want to shun my cell phone and put rollers in my hair.
What seems to be an impossible to prove innocence turns into a game of perceptions that trumps all else. Sometimes Wrong can be Right too!
The only reason for a 9/10 is the somewhat forceful humor that has no place in the plot.
They don’t make men like them anymore. I am talking about both the characters this plot was inspired by – Sunny Matthews and Harbajan Singh Vedi – and Akshay Kumar. The first two set an example by putting the “I” behind the “We” and helping evacuate over 170,000 Indian from a war-torn Kuwait in 1990 and the later set an example by giving up 80% of his profit share back to the budget for this movie.
If you can ignore a few kinks here and there this movie is a solid watch with a taut plot and well executed screenplay. The story of unmatched heroism, unparalleled courage and unsung heroes, be it the protagonist, his silent ally in the sarkari hallways of the Ministry of External Affairs in Delhi, or the courageous pilots of Air India.
Nimrat Kaur’s support for her husband throughout the ordeal is to watch out for and takes its culmination in her “speech” to an ungrateful evictee. Akshay Kumar proves once again that he is a seasoned and versatile actor with looks that I would melt for!
This story strongly reminded me of Shindler’s List and one man’s resolution to save thousands of lives. We need more people like this walking on earth. (8/10)
You will likely be more familiar with the popular songs of this movie than the movie itself. A one time watch carrying an important social message about corruption and how change has to happen from the bottom. Easier said than done. Akshay Kumar, as usual, delivers a solid performance. Shruti Hassan on the other hand needs to learn how to act and get some better roles for herself. (6/10)
Don’t let the slower first half fool you! Once the second half rolls around this edge-of-the-chair thriller will have you be “in the moment” better than any meditation could. Askhay Kumar, you are just so much better in thrillers like these than ridicomedies like Rowdy Rathore. (8/10)
All of a sudden Happy New Year seems to be a good movie. Sad times to see Anupam Kher, Akshay Kumar and Anu Kapoor in a desperate attempt of a movie. Lisa Hayden is impossibly bad. (0/10)