Naam Shabana

Just like the second kid can rarely be as good as the first one (hoping my sister is not reading this!) the sequel to a movie often doesn’t measure up to the expectations set by the original.

The Director tried to use Baby’s recipe, including many of the key cast members but wasn’t able to replicate the taut storyline and magic of Baby. Danny’s scenes got cut down from four to two, Manoj Bajpai has been added as another layer of administrativia, and Akshay Kumar has only been hired to hold Taapsee’s arm and drag her through buildings as if she can’t walk on her own. Also, who in the world hires someone as handsome as Prithviraj Sukumaran as the bad man?

Awkward dialogues, lack of a good story and absolutely no explanation as to why they needed to cast a woman in the role of the secret agent when Akshay Kumar could have done all she does makes this a meh watch. Everyone these days is just trying to ride on the feminism gravy train which failed in this case. (5/10)

ns

Delhi In A Day

A drama set between the haves and have-nots of Delhi. It subtly portrays the satirical lives of the nouveau-riche in Delhi. Sometimes it’s the household help making fun of the “maaliks” and sometimes it’s the grandfather who can’t stand the fake society his children ask him to be part of.

Jasper, a foreign bright-eyed tourist, is trapped between his idealistic thoughts of what India should be and what his host, Kalpana, turns the experience into. When his money disappears suddenly all blame is put on the household help. The remainder of the movie shows how money can mean something completely different to people depending on what end of the social strata they belong to. The most interesting thing that comes out of the pressure to find the money is the beauty of relationships and trust among the have-nots and the lack of conscience of the haves.

Overall, a slow watch despite its short runtime of 88 minutes with a particularly frustrating end as Jasper never gets closure on where his money went. (5/10)

delhi

Ki & Ka

Indian cinema is rapidly coming of age and exploring topics that reflect what is on society’s subconscious mind. While “western influence” and social media have their undoubted pitfalls for the rich heritage of India they deserve a bit of credit for brining a¬†changing tide of curious minds, the ability to question norms and in the process hopefully unroot some beliefs that no longer hold true in contemporary times.

Ki & Ka explores the role of a man and a woman in life, in their relationships and in the eyes of society. For two hours imagine what the world could look like if there was no concept of gender. Why limit y0urself to the confines of your gender when your skills and desires lie elsewhere? R. Balki brought some really interesting topics of discussion to the surface that will likely become less taboo a decade, maybe two or three, down the line. While the theme of the movie is very unique and interesting the director used cookie cutter stereotypes and swung too much in the opposite direction to make his point. Handled a lot more subtly and with nuance this could have been a much better movie. (5/10)

KiKa

Wazir

Sigh! When will actors become actors and adapt to the characters they are supposed to play instead of producers and directors catering the entire movie to the “star” they are casting? Yet another movie that was made for Amitabh Bachchan (remember Shamitabh?) instead of focusing on a strong plot and characters to then fit the appropriate actors to play them. The entire movie felt a bit forced and I left the theatre scratching my head and wondering if AB was a good or a bad guy. Unfortunate waste of great actors like Amitabh Bachchan and Farhan Akhtar. (5/10)

Wazir